[4] Judy Martin Hess (b. Martin P. Joyce might be a juvenile justice worker in Youngstown, Ohio. We sang "He Leadeth Me" a cappella for Gloria Gaither, in the ladies bathroom, in Anderson, Ind. Gaither's questions establish Jonathan's lifelong love of "huntin'" as linked to his Arkansas adolescence. She tells Bill, "you have to hear these kids sing." Joyce is married to Paul Sanders, a singer/songwriting musician, currently a member of the country band, Shenandoah where he plays bass and sings harmony. For more on Gaither Homecomings and their role and appeal in southern gospel and beyond, see ibid., 110136. The Martins's singing by the sea resonates with the disjunction of three "kids" from a cold-water backwoods shack harmonizing in an exotic locale with an international gospel touring company. While growing up poor in rural Arkansas, the three often practiced singing together, and released their self-titled debut album in 1994 on Chapel Records. North American gospel history and the cultural realities of contemporary southern gospel defy further generalization. See Heilbut, "Black Urban Hymnody." Between highlights, Bill Gaither interviews Joyce, Judy, and Jonathan,54The interviews are actually excerpts taken from long conversations filmed in a homey setting in which The Martins sit side-by-side on a large couch facing the camera and Bill Gaither sits in an overstuffed armchair to the right of the frame. For discussions of the Traveler trope see "The Arkansas Traveler" entries in the online resources of the Historic Arkansas Museum, accessed October 1, 2013, http://www.arkansas-traveler.org, and on Arkansas.com, Arkansas Department of Parks and Tourism. In addition to being the vehicle through which The Martins received fame, Homecoming marked an epochal shift in the reception and self-concept of southern gospel. Alexandria, Ind. Judy Martin Hess lives in Columbus, Georgia with her husband Jake Hess Jr, and their four children. At face value, much of The Martins's stylistically hybridized and contemporary music would seem to commit many of the very musical sins that southern gospel culture has long cited as justification for disparaging most other major forms of Christian music entertainment (except, perhaps, bluegrass).47The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. : Gaither Music, 2011. tippy('#footnote_plugin_tooltip_1524_1_43', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_43').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The Martins first appeared in 1993 on an early Gaither Homecoming video, Precious Memories. Joyce Martin McCollough . Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. Fox, Pamela. See full bio . Lord, is this my heart. Molly Worthen has mapped contemporary evangelicalism's uneasy relationship with post-modernity and religious self concept. 1 (1997): 7582; and Harrison, "Grace To Catch a Falling Soul." At the same time, the group evinces no interest in stylistic purity or generic fealty to a specific tradition, even as the album titleincluding the florid and flowing cover typographyframes their music as a filiopietistic missive from the old home place that is a staple of the southern gospel imagination.46While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. This essay is interested primarily with professional southern gospel, which descends from convention singing but has been distinct from it since the 1930s and 1940s. See ". But I'll say this: I've never been more honored to sing about Jesus and for Jesus. Trey is 20 and lives and works in Nashville only a few miles from his mom. + Add or change photo on IMDbPro . Bob Joyce died December 10, 1981, in San Francisco, CA, USA. Jonathan Martin and his wife, Dara, live in Des Moines with their six children (Craig Harris, "Martins Storm Back onto the Scene," sgnscoops.com, December 17, 2013 [accessed January 31, 2014)]. Interestingly, Willow Creek leaders published a study conducted by the church in 2008 that indicated the seeker-sensitive model did not reliably lead to consistently reported levels of spiritual development or maturity among those who were attracted to the church by its seeker sensitivity (Greg Hawkins and Cally Parkinson, Reveal: Where Are You? However, a 1993 appearance on the Gaither Homecoming series helped transform The Martins from an avocational regional trio into a professional act with a national following in fundamentalist Christian entertainment. For an analysis of the cultural and religious tensions between southern gospel traditionalists, who founded the GMA, and the CCM fans and performers whose tastes have dominated the GMA for nearly forty years, see Harrison, Then Sings My Soul, 9196. Home News Random Article Install Wikiwand Send a suggestion Uninstall Wikiwand Our magic isn't perfect What is the birth name of Marty Joyce? . As one of three sibling members of the gospel group The Martins, she travels all over the place getting to do the thing she loves. The peer reviewers for Southern Spaces provided generous feedback that sharpened my thinking and refined the essay's argument considerably. Although the male quartet continued to dominate southern gospel's self-image, the genre as a commercial enterprise became home for strains of more traditional white evangelical vernacular sacred musics, including explicitly pietistic bluegrass and country gospel. In 2013, the Doves moved back to Nashville, not to the Grand Ole Opry House but to the auditorium of a small religious college in the suburbs (Dave Paulson, "Dove Awards Fly Back to Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). It's a new day for Southern Gospel. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. The Gaither interview invites viewers to imagine them as representing a set of hill-country valuesa love of hunting, closeness to nature, self-sufficiency, and cultural isolationthat Blevins argues have over the course of two centuries come to stand in for all (white) Arkansans.58The cultural difference between the Ozark/Ouachita and Mississippi Delta regions of Arkansas is aptly captured by/in two recent films. That finally holds who You are. 2014.grammys.criticized.as.political.stunt.to.push.gay.marriage.agenda.natalie.grant.responds.after.early.exit/35586.htm). Taylor's development of the social imaginary builds on (but also departs from) Benedict Anderson, Imagined Communities (London: Verso, 2006). Its fans and participants aspire to transcend or dissolve regional expectations, theological boundaries, and denominational classifications. See Shearon et al., "Gospel Music." Similarly, Gerald Wolfe, also originally a pianist for the Cathedral Quartet and subsequently the owner and emcee of his own professional trio, Greater Vision, was famously plucked from obscurity (or so the story went onstage in his early years as a performer) while singing with the Dumplin' Valley Boys.49References to Bennett's birthplace in Strawberry, Arkansas, were staples of Cathedrals concerts, several of which I attended, in the 1980s and 1990s. Southern gospel denotes "an overlapping, commercialized national network of musical products, professionals, and their fans, commonly referred to as 'the industry'" (Harrison, Then Sings My Soul, 45). For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. tippy('#footnote_plugin_tooltip_1524_1_7', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_7').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); "southern gospel" brings with it additional layers of interpretive complication regarding race, class, and geography. She is divorced and has been for some time, but the date of her divorce is not listed. Who is Joyce Martin of the Martins married to? (Jennifer Jones, ", For a cogent analysis of how shape-note gospel from the South mediated cultural conflicts and status instabilities of white, southern farmers, see Gavin James Campbell, "'Old Can Be Used Instead of New': Shape Note Singing and the Crisis of Modernity in the South, 18801920,", Premillennial dispensationalism has been the dominant theological paradigm for fundamentalist evangelicals in the United States since the mid-nineteenth century. Directed by Debra Granik. Joyce Martin Sanders biography | Last.fm Arkansas ranks forty-fifth in median income in the United States and, by official self-description since the 1970s, is culturally "the natural state." During the last three decades of the twentieth century, these conservative evangelicals and fundamentalists ceased perceiving themselves in the Nixonian paradigm as a silent majority existing voicelessly and invisibly within mainstream US politics and culture. Who is martin p joyce? Los Angeles, CA: Roadside Attractions, 2010. Claiming a home in southern gospel grounds The Martins in an imagined identity that they in turn hold out for fans seeking models of stability and reassurance in an extended moment of great cultural change and instability for white evangelical fundamentalist religious culture. Judy Martin Hess (b. The Martins Official Website My reading sees race, racism, and a racialized concept of self and other in southern gospel as an important, not always dominant, factor in the emergence of "southern gospel" and the cultural function of the music. Many fans and most observers interpreted her actions and words as a rebuke of a mass wedding of gay and straight couples performed during the broadcast. tippy('#footnote_plugin_tooltip_1524_1_36', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_36').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); This retreat from metropolis to outpost acknowledges that southern gospel is no longer a national phenomenon.37 Douglas Harrison, "Slouching Toward Pigeon Forge." "63Emphasis added. Joyce Martin Sanders Overview Tracks Albums Photos Similar Artists Events Biography More Biography We don't have a wiki for this artist. See Harrison, Then Sings My Soul, 75180. Biography Mini Bio (1) Joyce Martin-Sanders is known for Gaither's Pond (1997). For discussions of the Traveler trope see ". My sources include celebrity interviews of performers, DVD bonus features, album covers, and online press coverage. These longstanding conflicts precede the twentieth century. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. Fox's work on rusticity and identity suggests that any crisis of authenticity in popular music from the South will register across a range of cultural texts and products. For an overview of southern gospel's history and development within the wider domain of American gospel music, see Shearon et al., "Gospel Music," and Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990). Man, Crosswalk.com. Joyce Martin was married to Alton G. Martin on October 1, 1983 in Rockwall County, Texas. Michael actually took us there and Mark and Mike tried to figure out a way for Bill [Gaither] to hear us sing. Arkansas, writes Brooks Blevins, "has become in many ways indistinguishable from concurrent stereotypes of backwoods southerners or of southern mountaineers and hillbillies," despite the geographical, cultural, and social differences between the Ozark and Ouachita hill country to the north of the state, the Mississippi River alluvial region to the east, and the "primeval swampland" in the state's southern half. tippy('#footnote_plugin_tooltip_1524_1_42', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_42').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Each video or concert is a variation on a format: Bill and Gloria Gaither invite many of the aging stars of southern gospel's mid-twentieth-century golden age to join them and their musical friends, peers, and rising stars from southern gospel and a range of subgenres on the more traditional and conventional sides of North American Christian musiccountry gospel, bluegrass, inspirational, and choral and hymnody. But so too are there imaginaries rooted in the history, mores, and culture of more particular geographies requiring study to understand their cultural formations and uses. The hottest acts in Christian music appropriated the musical conventions and performance styles of rock, pop, adult contemporary, heavy metal, and later, jazz, R&B, rap, hip-hop, and punk. Joyce Martin Sanders: "My Childhood Christmas Miracle - YouTube They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). Faithful to the cause | | newspressnow.com The Martins's arrival on the national gospel scene participates in a familiar narrative of the country kids from Nowheresville, USA, making it big. tippy('#footnote_plugin_tooltip_1524_1_5', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_5').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Among these people, "the term southern gospel," as I have noted elsewhere, "was not used to describe the music [in its professional, commercialized form] until the 1970s and did not gain widespread use until the 1980s. tippy('#footnote_plugin_tooltip_1524_1_27', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_27').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true });And it is that, to a certain extent. They live in Columbus, Georgia, and have five children. Joyce Martin Sanders | Christian Music Archive You can take them anywhere. 1 (2008): 2758. The camera cuts back and forth between The Martins and Gaither, occasionally taking in the four of them in a wide shot. The Martins. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. Courtesy of Judy Baxter. Cine d'aventuras. This pan-stylistic hybridity was apparent in the group's repertoire before their Gaither affiliation. The precipitous decline in "Christian/Gospel" has devastated most sectors of the market. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. What started in Hawaii more than a decade earlier ends in Studio A in Andersonville, Indiana, with Gaither presiding as witness to The Martins's musical authenticityby sea, in the studio, (notionally) on command, at home among southern gospel's Homecoming Friends or in faraway lands. And I've never been more sure of the path I've chosen." Heilbut, Anthony. . Why did Joyce Martin divorced? - Answers 5 [September, 1996]: 386405). The conversation encourages audiences to understand The Martins's music as a cultural practice connected to the Arkansas backcountry. Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music,". The interplay of praxis and imagination is crucial. Rather, I aim to map a specific hot spot within the psychosocial terrain of contemporary professional southern gospel as an instance of a broader phenomenon that could be explored in US southern and rural imaginaries. Just as I Am: 30 Favorite Old Time Hymns, was nominated for a 1998 Grammy in the same category. For more on cultural-geographic conceptualizations of place, see John Agnew, The United States in the World Economy: A Regional Geography (London: Cambridge University Press, 1987), and Cresswell, Place. These congregations structured worship, congregational culture, and church outreach to target "those who had never established a relationship with Christ and the Church, and those trying to reconnect" (Lester Ruth, "Lex Agendi, Lex Orandi: Toward an Understanding of Seeker Services as a New Kind of Liturgy," Worship 70, no. With the dissolution of the "Christian-cultural synthesis," fundamentalists, Noll concludes, "made a virtue of their alienation. For an extended discussion of "southern gospel" see, Douglas Harrison. Gaither Gospel Series DVD cover. The Martins recorded five independent albums prior to their breakout. See Apostles of Reason: The Crisis of Authority in American Evangelicalism (New York: Oxford, 2013). Although southern gospel is undoubtedly white, not all white gospel is southern, and not all gospel of the US South is white.11Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. The American Spirit: Who We Are and What We Stand For (2017) is a collection of McCulloughs speeches. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. These were "places so divorced from the frenzied modernization of twentieth-century America" that they presented an easily caricatured type from which to generalize about the state as a whole.59Ibid., 516, 67. tippy('#footnote_plugin_tooltip_1524_1_59', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_59').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The conflation of The Martins's southern Arkansas bayou background with upstate Ozark hillbillyism emerges through the rhetoric of Bill Gaither as host and interlocutor. (See Harrison, Then Sings My Soul, 182183). For more on the rise and spread of southern gospel regionally and nationally, see James R. Goff Jr., Close Harmony: A History of Southern Gospel (Chapel HIll: University of North Carolina Press, 2001), 50109; Don Cusic, The Sound of Light: A History of Gospel Music (Madison: Popular Press, 1990), 153162; 171176. Bill Gaither sighs contentedly, then adopts an avuncular, lightheartedly admonishing tone, commenting that The Martins had only sung the first verse and indicating, as if unplanned, that the trio should "finish it" on the couch at that moment. The songs are structurally derivative and lyrically conventional, but this music is interesting for what it suggests about The Martins's cultural temperament and expressive style, best described in these early years as one of rustic post-teen southern evangelical angsty spiritual wonderment. I Love to the Tell the Story: 25 Timeless Hymns, won a 1996 Grammy for Best Southern Gospel, Country Gospel, or Bluegrass Gospel Album. tippy('#footnote_plugin_tooltip_1524_1_20', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_20').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In its early decades, CCM's creative and cultural home was Nashville and many performers and professionals still work there. So we sang next day on the video [Precious Memories], "He Leadeth Me" . Southern Gospel's Decline and the Sister-Bertha-Better-Than-You Effect, The Cultural Consolations of the Hillbilly, Tradition, Progress, and Cultural Instability, Music Album Sales in the United States in 2012, by Genre, The Gospel Church and the Ruining of Gay Lives: An Interview with Anthony Heilbut, Natalie Grant Responds after Leaving Grammys Early, National Quartet Convention Ending Long Run in Louisville, Then Sings My Soul: The Culture of Southern Gospel Music. "I've many thoughts about the show tonight," she tweeted, "most of which are probably better left inside my head. For a recording of the set piece associated with Gerald Wolfe's time with the Dumplin' Valley Boys, see This is Your Life George Younce, directed by Charlie Waller (n.d., Louisville, KY: National Quartet Convention), DVD. Joyce Martin Sanders is one third of the award-winning gospel trio, The Martins. Another person named Martin P. Joyce was a judge who passed away in October of 2013.. Absence of biographical detail about The Martins clears space for the Arkansas imaginary to operate. Family, friend, or fan, this family history biography is for you to remember Joyce E. (Sanders) Martin. From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism. In the process, The Martins's music and cultural valence become revalued and highly desirable within the network of associations and commitments merging at the intersection of white conservative Christianity, right-wing cultural politics, and a "global service economy. Mud, set in the Arkansas Mississippi River Delta, powerfully evokes the fluidity of class, ethnicity, and geography as defining features of identity in a region where the flux of life is so heavily dependent on, shaped by, and intertwined with the flow of the river. No Sympathy For the Devil: Christian Pop Music and the Transformation of American Evangelicalism. New York: Knopf, 2012. 'Cause it's worth every . Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. The Martins on growing up in gospel and how time apart changed their The Martins's music signals that what makes this trio a southern gospel group is its commitment to a worldview and way of life that is place-based, class-bound, and consistent with values and assumptions that prevail in white, fundamentalist evangelicalism. Toward the end of his life, Andy Griffith recorded multiple southern gospel albums. Mae is her 18-year-old daughter. Bill Gaither, Tallahassee, Florida, 2006. Southern gospel's cultural sustainability turns out to be an urgent matter of concern, even if southern gospel people themselves do not tend to speak about it that way. To see the King. The Martins grew up in Northeast Louisiana, where their parents encouraged them to make a joyful noise. The overwhelming majority of fans and professionals in contemporary southern gospel are white Christians who are "culturally southern, socially conservative, and Anglo-American. "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. Researched in the 1990s and published in 2002, Close Harmony traces the music's development from the nineteenth century. It was Mark, Mike, of course the three Martins, Gloria and two or three other people. Key figures include. The Martins Wiki: Salary, Married, Wedding, Spouse, Family For the film starring Lee Evans, see The Martins (film)The Martins are a Christian music vocal trio composed of three siblings: Joyce Martin Sanders, Jonathan Martin, and Judy Martin Hess. tippy('#footnote_plugin_tooltip_1524_1_24', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_24').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); If much of CCM musically enciphers the aspirations of evangelicalism's dominant demographicsuburban, white, seeker-centered25"Seeker" sensitive models of congregational development and worship emerged in the 1970s and 1980s as part of the so-called church-growth movement, an organized effort to expand church membership and participation beyond traditional populations. See "Music Album Sales in the United States in 2012, by Genre,"Statistica.com, 2012, accessed January 28, 2014, http://www.statista.com/statistics/188910/us-music-album-sales-by-genre-2010/; Natalie Gillespie, "Gospel Music Sees Record-Setting RIAA Numbers," CCM Update, March 29, 1999; and Lindy Warren, "Top 15 Impact-Makers in 1997," CCM Update, December 22, 1997. Dionne Dismuke, Joyce Martin Sanders, Judy Martin Hess, TaRanda Greene - Official Video for 'I Stand Amazed (Live)', available now!Buy the full length DVD/CD. Christian vocalists The Martins Joyce Martin Sanders, Jonathan Martin and Judy Martin Hess perform at the Missouri Theater at 7:30 p.m. Feb. 17. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music," Studies in Popular Culture 20, no. Joyce Martin-Sanders. Dayton offers an alternative account of "evangelicalism," emphasizing the rise of Pentecostalism and holiness traditions, which, as Jonathan Dodrill notes, "do not seem so bent to ward off liberalism." And both black and white gospel have "borrowed those aspects, reinterpreting them for their own cultures" and purposes. The collective effect forms the social imaginary, a way to understand self- and group-concepts in postmodern life.15Charles Taylor, Modern Social Imaginaries (Durham: Duke University Press, 2003), 3. The Willow Creek megachurch, under the leadership of Bill Hybels, is the most prominent example of a seeker-sensitive church. By leveraging anxieties about cultural authenticity and relevance roiling conservative evangelical and fundamentalist culture, Homecoming creates "a musical screen onto which people from a wide range of Christian cultural traditions within the American middle class can project their own religious concerns and spiritual aspirations. Within southern gospel, perhaps the most polarizing figure thought to embody this accommodationist dynamic is Amy Grant, who began as a CCM ingnue ("Father's Eyes," "El Shaddai" and "Angels") and subsequently landed crossover hits in American pop during the 1980s (her debut outside of CCM came in a duet with Peter Cetera, "The Next Time I Fall In Love"). Marquee ensemble singers who once would have driven a group's fame and success today leave ensemble work and go solo to cut costs and stay viable.35Examples of changes and shifts within professional southern gospel since 1990 include the disbanding of numerous groups as well as the retirements and deaths of many of the mid-twentieth century singers who anchored the genre's golden era. Its primitive construction and the faded color photo intensify the contrast between rustic lifeways and the warmly lit, generously appointed, and contemporarily decorated set in which The Martins appear comfortable, coiffed, and professionally poised. . Morris Arnold, "The Significance of the Arkansas Colonial Experience,". 33 Southern gospel product sales They live in Nashville and have two children (Martin Sanders was married previously to Harrie McCullough, with whom he had a child). See also Other Works | Publicity Listings | Official Sites View agent, publicist, legal and company contact details on IMDbPro Getting Started | Contributor Zone Contribute to This Page Edit page Personal Details For them, Gaither's interview effectively constructs and encourages audiences to see in The Martins representative, unifying figures of white, evangelical populism whose home is, as Bethany Moreton has shown in her study of Wal-Mart and evangelicalism, the Ozarks of northern Arkansas and south-central Missourithe literal geographic location in which Gaither's colloquy imaginatively relocates The Martins. Durham: Duke University Press, 2003. See Jones, Faith and Meaning in the Southern Uplands (UrbanaChampaign: University of Illinois Press, 1999), 9. Bethany Moreton, To Serve God and Wal-Mart (Cambridge: Harvard University Press, 2009), 5. Decade. Photograph by Judy Baxter. tippy('#footnote_plugin_tooltip_1524_1_23', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_23').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Within commercial Christian music, most white fundamentalist fans and professionals left cold by CCMand committed to traditional modes of evangelistic outreachcoalesced around "southern" gospel. (Jennifer Jones, "Natalie Grant Responds after Leaving Grammys Early," Christianitytoday.com, January 29, 2014, accessed January 31, 2014, http://www.christiantoday.com/article/mass.wedding.at.
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